Saturday, 27 September 2014

Skills Audit- Personal Profesional Development in the Performing Arts Industry

So far in the BTEC course I have developed a range of skills as a performer that I believe will be useful tools to carry with me when going on to study higher theatre education and/or pursuing an acting career.  

Rehearsal skills (working with texts): Researching historical, cultural and political contexts of the piece helps me to understand the main themes. Splitting up your text in gear changes is also important so you can analyse why your character has these changes.                                

Characterisation: I have the ability to analyse and understand text. I am able to do this by looking at the given circumstances to work out my character.     
Discovering the characters objectives; what does the character want? How and why do they want it?

Movement/physical skills:I’ve learnt how to spend emotion through the body and voice by opening your body physically and allowing your instincts to take over. To do this I have learnt you need to be willing to be ugly and beautiful- by this i mean be free to experiment finding new body position and facial expressions without being afraid of looking ‘weird.’
I've also learnt that when working with your physicality it’s important to work with the breath.

Voice: The voice is a very important part of acting and I've learnt to not restrict yourself to the norm and to experiment by modulating your voice. Doing this can engage your audience and help you play a more believable character.
The voice should work with the body, exercises like ‘Slimy Frog’ when your repeat ‘I am a Slimy frog’ using different parts of your voice and body helps to make them work together as one.

Evaluation skills: I now know how to critically evaluate myself and others. It’s important to give opinions and back them up with evidence.

Working in an ensemble: I understand working in an ensemble in this course helped me understand how to sustain energy on the stage. Feeling the energy drop and picking up again.
I've learnt how important it is to keep focused in transitions as in an ensemble transitions are crucial as everyone is on the stage at once and they can get messy.
I also learnt the meaning of ‘sight specific’ as we created a piece using a stimulus and our sight for our performances suited the description in the text (the given circumstances)

Different styles of acting: We did a unit on children’s entertainment. During this unit I learnt how to perform to a specific audience (younger children). I looked at how their concentration span differed from ours and adults and how modulating the voice and making interesting shapes with the body and facial expression could engage them. This meant our performance was quite comedic.
We did a performance of a play called ‘Blackout’ this was quite an emotional play as it was about a boy going through a time of discovery in his life which faced him with many emotions in which we had to adopt. I enjoyed doing this as i got to experiment with different emotions.

Understanding different theatrical configurations

Understanding special awareness:  We have looked at spacial procsemics during this course so far and I have learnt that every scene is a chase scene. Being too close to another actor can kill the scene and drop the tension on the stage.


Have you gained any skills elsewhere?
I have had dance training since a very young age in tap and ballet up to intermediate grades in ISTD alongside jazz dance at Italia Conti Associates School which has helped enhance my physicality when acting. Also because of my dance background I have the flexibility and strength needed to take with me when doing physical theatre units. I have also done LAMDA up to a silver medal so I understand how to choose monologues best suited for you and the researching that goes into it. I am also a top grade student in English so I’m able to evaluate performances by digging into particular things and analysing them. I’m also good at analysing the text and characters by looking into the deeper meaning of the lines.


No comments:

Post a Comment